The Beatles - Pseudo and Fan-Made Deconstructions

[Vince Evert]

In the youtube world, there's been some really cool fan-made remixes such as better decisive mixes where you can hear John Lennon's vocal separated from Paul and George's or vice-versa. This topic is dedicated to what i call, Pseudo and other fan-made mixes.

 

[Vince Evert]

The Beatles 'You Really Got A Hold On Me' Captivating Vocals Unlocked In This 2024 True Stereo Remix...​

In 'You Really Got A Hold On Me,' recorded in 1963 for 'With The Beatles,' John Lennon delivers one of his most compelling vocal performances. With this remix, the uploader has meticulously separated each of the voices, placing John front and center, George to the right, and Paul to the left. This approach adds a new dimension to the recording, accentuating one of The Beatles' finest vocal showcases. While Giles Martin's official remix in the 2023 'Red and Blue' albums was one of the better, the uploader feels that the vocals deserved further attention.
Thus, the aim was to enhance the enjoyment of this remarkable Smokey Robinson song beyond Martin's remix.

 

[Vince Evert]

 

[Vince Evert]

 

[Vince Evert]

"I'll Get You" - a new 2024 mono to stereo remix. This one has full stereo vocals.



"Thank You Girl" - a new, more balanced, 2024 stereo mix. This one features stereo vocals.



"You Won't See Me" - from "Rubber Soul" 1965 album. You can hear the bass a lot more on this 2024 fan-made mix

 

[Vince Evert]

The Beatles - Honey Pie (1930s Sound Style, Vintage)​

Well this was nicely done, the most darling concept. The 1930's mix has shades of the Foxtrot (popular dance music of the era) that complements the track.

The Beatles - Honey Pie - Instrumental mix with isolated Piano + Woodwinds​

 

[Vince Evert]

wonderful AI Vid on probably The Beatles best ever composition, "In My Life". Wonderful image, in particular of a young John Lennon next to his mother Julia.

All these images are derived from pictures...

 

[Vince Evert]

 

[Vince Evert]

Abbey Road Medley but it's not a Medley (No Transitions) -


00:00 You Never Give Me Your Money
03:55 Sun King
06:25 Mean Mr. Mustard
07:35 Polythene Pam
08:53 She Came In Through the Bathroom Window
10:46 Golden Slumbers
12:21 Carry That Weight
14:01 The End

 

[Vince Evert]

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Rain, the B-side to The Beatles' 1966 hit "Paperback Writer," was just as highly regarded as its A-side counterpart—a testament to the band's consistent excellence.



This remix draws from multiple sources to recreate the spirit and experimentation of 1967. The lead and backing vocals are sourced from the 2022 Atmos mix.The guitars also come from the 2022 Atmos mix.The bass and drums are from the 1966 stereo version, originally released on "Past Masters."The ending lead vocal is a blend of the Atmos version and the "Past Masters" version.The ending backing vocals are taken from the "Past Masters" version.

 

[Vince Evert]

'TILL THERE WAS YOU' Delightful New Balance Of Isolated Guitars & Vocal | New 2024 Remix​

This beautiful and gentle song was originally recorded in 1963 on a two-track machine, just before EMI Studios transitioned to four-track recorders for The Beatles. Unfortunately, the limitations of the two-track setup resulted in a stereo mix with all the instrumentation confined to the left channel and only the vocal in the right, creating a less-than-ideal listening experience.The goal of this 2024 remix was to reimagine how the song might have sounded if it had been recorded on a four-track machine. In this new mix, the two guitars, originally occupying the same space in the left channel, have been separated into opposite channels for a more immersive experience. The bass and bongos, also previously in the left channel, have been moved to the center, achieving better balance. Paul McCartney's vocal, originally isolated in the right channel, is now centered, highlighting the charm and warmth of his heartfelt performance.
This remix breathes new life into a beloved classic while staying true to its original essence.
No new elements or artificial acoustics have been added; it is simply a careful de-mixing and remixing of the original vocal and instrumental tracks, crafted in a style faithful to the era of its creation.

 

[Vince Evert]

 

[Vince Evert]

The heartbeat of The Beatles' 1966 release "She Said She Said" lies in the interplay between the bass, kick drum, and two electrifying guitars. While the song's high energy is unmistakable, some of that energy was lost in the 2022 Giles Martin remix, despite the enhanced clarity it brought. My goal with this remix was to resurrect that lost energy while staying true to the spirit of the original.In this remix, you’ll immediately notice the punch that drives the song from beginning to end, complemented by the separation of the two electric guitars. The 2022 remix positioned both guitars in the right channel for much of the track, but in this version, the drums and bass now sit squarely in the center, creating a synergy between the two guitars. This approach mirrors a stereo mixing style that became common in rock recordings a few years after the song’s release.
Another key change is the removal of the ADT (artificial double tracking) effect on John Lennon’s vocal. I believe this enhances the vitality of the recording, as ADT—widely used at the time of the original release—was often overapplied and later fell out of favor. The 2022 remix retains the double-tracked vocal, but I opted for a more natural presentation here.Additionally, George Harrison’s backing vocal has been better separated from John’s lead vocal and positioned closer to the outer edges of the soundstage. This adds clarity and depth to their harmonies.No new elements were added to this remix. Every instrument and vocal stem comes from the original recording, carefully de-mixed and remixed to create this new presentation.

 

[Vince Evert]

Deconstructing She Said She Said (Isolated Tracks)​

Revolver 1966

Drums 00:00
Bass 02:34
Guitars and Vox Organ 05:04
Vocals 07:45

 

[Vince Evert]

The Beatles 'SHE'S A WOMAN' | Punchy, Rhythmic, Balanced 2025 Recharged Remix​

 

[Vince Evert]

John Lennon - Child of Nature (1971 backing-track + 1968 vocals / Not A.I.)​

Child of Nature was the original lyrics and was recorded for possible inclusion on The White Album but Lennon ditched it. Three years later he would re-write the song as Jealous Guy and include on his own famous album "Imagine".

 

[Vince Evert]

fantastic work here

just grab ur head-phones and enjoy !

IT WON'T BE LONG | Raw, Gritty and Powerful Guitars Revived, A New & Balanced 2025 Remix...​

The original stereo mix placed all instruments in the left channel and all vocals in the right—typical for The Beatles’ early two-track recordings. This remix restores some of the lost character by centering the vocals while spreading the guitars across the left and right channels.
The bass and drums have also been repositioned to the center, adding much-needed gravity and punch, which in turn enhances the dynamics of the guitar work. To create more vocal depth, Britt2001b has moved Paul and George’s harmonies away from John’s lead vocal.
Nothing new has been added—no triggered drum machines, no additional musicians.
This is purely a de-mixing and isolation of the original elements, carefully rebalanced in a style true to the 1960s era.

 

[Vince Evert]

The Beatles - Leave My Kitten Alone (2015 Mostly Stereo Remix & Remaster)​

Leave My Kitten Alone (Instrumental Mix)​

 

[Vince Evert]

I DON'T WANT TO SPOIL THE PARTY' | John's Duet With Himself Revealed In 2025 Vocal Remix​

In this remix, you’ll hear John’s vocal clearly in the center channel, with another of his vocals in the right channel, creating a duet with himself.
In the two choruses, Paul’s harmonies appear in the left channel, blending with John’s vocal on the right. The background “Ooh’s” are spread across the stereo field.
This remix greatly widens the vocal soundstage compared to the original, where all the vocals are centered.
The new vocal placement adds depth and dimension that was never present in the original recording.

 

[Vince Evert]

P.S. I LOVE YOU | Hidden 3-Part Vocal Harmony Separated In New 2025 Mono To Stereo Remix...​

No true stereo version of The Beatles' 1962 recording of 'P.S. I Love You' exists. However, this remix presents an authentic stereo experience, sourced from the original mono recording—the B-side to their debut single, 'Love Me Do'. Achieving true stereo requires instruments and vocals to be recorded on separate tracks. No multi-tracks of this recording exists, but with modern day de-mixing software the multi-tracks can now be created.Using the 2009 mono remaster as a source, I first separated Paul, John, and George’s vocals, placing each on its own track. The guitars, bass, and percussion were also isolated onto individual tracks, resulting in a total of six separate elements. In this new stereo remix, Paul's lead vocal sits in the center, with John's on the right and George's on the left, adding new depth to their beautiful three-part harmony. Interestingly, isolating their vocals in this way revealed a street-corner doo-wop quality that I hadn’t noticed before—perhaps an early influence on The Beatles. Here's a link to the isolated vocals to demonstrate this • The Beatles' 1962 'P.S. I LOVE YOU' I...