Now, I would say to this that all these characters in
Oppenheimer actually existed, did they? So it completely limits any opportunity for enforced “diversity”, though that probably wouldn’t stop some people. I see there was a version of
Amadeus where Mozart was played by an Asian actor. The problem with this is that it’s anachronistic, it breaks the the fourth wall and distracts from the story, as much as if he composed his great music in the show on a Casio.
As well as being highly unnecessary, it’s completely dishonest.
But my problem with the casting in
The Odyssey - and I know you didn’t mention me, but this is an interesting and polite discussion - was the casting in general. All the actors were good but the film wasn’t
Jason Bourne and The Argonauts. The almost completely American cast - and certainly completely non-
Greek cast - was an absolute impediment to me getting immersed in the idea that we’re in the Bronze Age. I wish he’d gone full Mel Gibson and cast locals, speaking in their own tongue, or even in Ancient Greek, and we follow it in subtitles. It would have been more interesting, and if peak Mel Gibson directed it, it would definitely have been more visceral.
I think Nolan made a few major characteristics missteps with this film…